PREPARE THE PROPER PROMOTIONAL MATERIALS
AND
KNOW WHEN TO USE THEM
Promotional
materials, such as demo tapes, photographs, biographies and press clipping, help
people to get to know you. When these materials are assembled in one package or
folder, they are most commonly known as a press kit.
Press
kits are most useful when trying to get exposure in newspapers, magazines, and
websites. They are also helpful when trying to get booked in clubs and in other
live performance venues. A press kit may even entice an attorney or personal manager
into representing you.
PRESS
KITS, ON THE OTHER HAND ARE NOT VERY HELPFUL IN GETTING YOUR BAND SIGNED TO A
RECORDING CONTRACT! The reality is that out of thousands of tapes record companies
receive in the mail per year, maybe one group gets discovered, if that. The odds
are tremendously against you. In fact, your package will likely end up in the
waste basket without ever being listened to. This is the harsh reality! Though
there are exceptions to every rule, record companies typically do not accept unsolicited
mail.
Another misconception
about the press kit is that it will lead you to a great audition and gig. More
musicians waste their time, energy, and money sending packages in the mail rather
than just getting out there, being heard, and making friends. Keep in mind that
the majority of all the work you get will be based on personal relationships that
you form and nurture over the years. If anything, building a website and then
personally handing out cards that include your URL (uniform resource locator)
is by far a more useful way to promote yourself than the press kit.
Now that some of the misconceptions about press
kits are out of the way, let’s discuss what your press kit should include.
Demo CD, or Cassette Tape
Your press kit should include a demo highlighting
three of your best songs, with your best song first. If you include too many songs
or if you include songs that are too diverse in style, you may send the message
that youíre not sure what it is you do.
The
production of your demo should also be as high in quality as you can afford. The
key is not to leave anything to the imagination of your intended audience. Fortunately,
digital equipment has enabled musicians to cut quality demos right out of their
own home. If you donít own your own recording gear, chances are that you have
a friend who has home equipment and will be willing to help.
Photograph
Also included in the press kit should be your
photograph. People will not only want to hear what you sound like, but what you
look like. Keep in mind that photographs are also used for reprinting in newspapers
and magazines, so make sure your prints aren’t too dark. Give your image and style
some serious consideration as well. Your picture must be consistent with your
music—if you’re a hard rock band, then you must look hard rock. If you’re not
sure what image you want to portray, review magazines like Rolling Stone and Details
to see what other bands are doing. The print size of your photo should be 8x10
inches and should include your band name and contact information at the bottom
(phone number, mailing address, e-mail address and website URL).
Biography
A biography (or bio) should be as short as
possible (typically 500 words) and written without a lot of flowery adjectives
and big words. If thereís a unique story about how your band formed or about the
various members in your group, include it. This gives writers at newspapers and
magazines a special twist or hook when writing about your band. If you have any
flattering quotes or reviews, include them here as well; but don’t over do it.
Including 15 quotes from people no one knows is pointless. Check out other bandsí
bios on the web and see what their approach is.
Tear
Sheets
A press kit should
also include clippings, known as tear sheets, from newspapers and magazines youíve
collected over the months and years. Clippings help prove you’re established and
not just another fly-by-night operation. Again, donít over-use them.
Cover Letter
Lastly, when mailing out your press kit, include
a cover letter that clearly addresses who you are, what you do, and what you want.
Be sure to include all of your contact information here as well. It also helps
to call the person youíre soliciting to inform them that your package is on the
way. Follow up in a few weeks with another call to see if they liked what you've
sent. Keep in mind that editors at magazines, just like people at record companies,
receive hundreds of packages per week. Chances are that if they haven’t asked
you to mail a press kit or they haven’t heard of your band, your package will
be left unopened in a pile or tossed in the garbage can.