AGE IN THE COMMERCIAL MARKETPLACE
Age
can be a sensitive subject for most musicians, but understand there's a real prejudice
that exists in the commercial music industry that views music as a youth-oriented
business! The feeling is that a musician's life expectancy in the pop, rock, R
& B, and rap genres parallels that of an athlete's life span in the sports world.
As you approach 35, your chances of succeeding are significantly diminished. This
is somewhat of a paradox since musicians skills only tend to improve with age
and experience, but record companies heavily rely on youth, vitality, and sex-appeal
to sell albums! Additionally, record labels prefer signing younger acts that,
if successful, can bring them a return on their initial investment for several
years to come. Record companies are a business just like any other and they view
their business from the bottom line first and foremost. Like it not!
So does all this mean that unsigned artists nearing their mid-thirties should
throw in the towel and abandoned their life dreams if they still haven't found
major label success in the "MTV generation?" If this is truly your aspiration,
of course not! It's the professional artist who cares of his health and image
who looks, acts, and feels better in their later life than in their teens. And
of course, there's always the rare exception to the rule where a more adult artist
breaks all barriers and is signed strictly on his musical talent and songwriting
abilities-bravo! But understand that even when you're one of the lucky artists
who gets his "big break" in the business, it's only the rare, creative, and business-minded
artist who can continue to appeal to younger audiences (both musically, and physically)
as they approach their 50th and 60th birthdays. Do I agree with this type of thinking?
NO! But, this is what history has shown us repeatedly.
So what's the
whole point of this discussion? Though age in the entertainment business is not
something you think about when you're in your teens or twenties, age and image
in the commercial marketplace is a very real issue for musicians in their later
years-but is doesn't have to be! If your career seems to be at a standstill and
you've been banging your head against the same stone wall trying to get a major
label deal (or trying to make a come-back in your career), perhaps it's advisable
to take a few moments and reevaluate your goals. For instance, considering your
career status, your age, and your image, perhaps it's a more prudent approach
to focus on a genre of music with a more sophisticated demographic audience or
to seek a recording deal with a smaller, less commercial independent record label
or to simply resort to a DIY (do it yourself) approach; a situation where you
can make all of your own business decisions and you don't have to let the record
companies dictate what you can and cannot do nor how old you can be to do it!
Taking this one step further, some musicians may even find more purpose in more
"behind the scenes" work composing for other artists, writing for film and television,
and even writing for video games-there's big money here! Stewart Copeland of the
Police made this transition. There are many more examples. To be sure, it's not
about abandoning your original dreams or succumbing to this prejudice, it's about
looking at age and image in the commercial music business realistically, and learning
how to continually re-invent and brand yourself over time to find new audiences
and new opportunities in the music industry.
As Charles Darwin once
said, "It's not the strongest of species that tend to survive, it's those most
adaptable to change."